<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>In-Vehicle Emotions | Meng's Page</title><link>https://www.zhangmeng43.com/tags/in-vehicle-emotions/</link><atom:link href="https://www.zhangmeng43.com/tags/in-vehicle-emotions/index.xml" rel="self" type="application/rss+xml"/><description>In-Vehicle Emotions</description><generator>Hugo Blox Builder (https://hugoblox.com)</generator><language>en-us</language><lastBuildDate>Sun, 19 Nov 2023 00:00:00 +0000</lastBuildDate><image><url>https://www.zhangmeng43.com/media/icon_hu_3c4bb17454bfe3f5.png</url><title>In-Vehicle Emotions</title><link>https://www.zhangmeng43.com/tags/in-vehicle-emotions/</link></image><item><title>Bringing Emotion Theory into the Cockpit</title><link>https://www.zhangmeng43.com/publications/mdpi-emotion-paper/</link><pubDate>Sun, 19 Nov 2023 00:00:00 +0000</pubDate><guid>https://www.zhangmeng43.com/publications/mdpi-emotion-paper/</guid><description>&lt;div class="text-base text-justify"&gt;
&lt;hr&gt;
&lt;h3 id="background"&gt;Background&lt;/h3&gt;
&lt;p&gt;For nearly a century, the scientific debate on emotion has revolved around two fascinating puzzles. First, the nature of emotion: Are joy and sadness distinct entities, like apples and pears, or merely different shades of the same fruit, like red and green apples? Second, the sequence: Do we run because we feel fear, or do we feel fear because we are running? While the academic community has yet to reach a verdict on these theoretical roots, there is one consensus: to truly understand human emotion, we cannot rely on a single source. It requires multimodal measurement, combining physiological signals, facial expressions, and behavioral data.&lt;/p&gt;
&lt;p&gt;This principle is now reshaping the automotive world. From enhancing the &lt;strong&gt;passenger&amp;rsquo;s well-being&lt;/strong&gt; to solving the complex puzzle of &lt;strong&gt;trust in autonomous vehicles&lt;/strong&gt;, accurate emotion detection is key. Motivated by this, I had the privilege during the early stages of my PhD to independently design and execute a comprehensive multimodal driving simulator experiment, aiming to bridge the gap between abstract theory and real-world application&lt;/p&gt;
&lt;figure class="w-full my-6 flex flex-col items-center"&gt;
&lt;img src="workflow.svg" alt="Research Framework Diagram"&gt;
&lt;figcaption class="figure-caption"&gt;
&lt;strong&gt;Figure 1. The Research Workflow.&lt;/strong&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;hr&gt;
&lt;h3 id="hypotheses"&gt;Hypotheses&lt;/h3&gt;
&lt;p&gt;Drawing upon the &lt;em&gt;Component Process Model (CPM)&lt;/em&gt;, the driver&amp;rsquo;s body responses during fear-inducing scenarios would be modulated by specific cognitive appraisals: Novelty and Power. It&amp;rsquo;s hypothesized that these cognitive checks manifest through distinct channels:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;The Novelty Hypothesis: The appraisal of Novelty (high unexpectedness) will be indicated by immediate responses, specifically an increase in Pupil Diameter, Skin Conductance Level, and the activation of Upper Face Action Units.&lt;/li&gt;
&lt;li&gt;The Power Hypothesis: The appraisal of Power (low coping potential/control) will be indicated by a delayed response pattern, specifically an drop in nasal temperature and the activation of Lower Face Action Units.&lt;/li&gt;
&lt;li&gt;The Temporal Dynamics Hypothesis: In line with the sequential nature of CPM checks, the facical indicators of Novelty are hypothesized to precede the ones of Power, reflecting the cognitive processing order from event detection to coping evaluation.&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h3 id="methods"&gt;Methods&lt;/h3&gt;
&lt;p&gt;Driving simulator experiments were conducted using Virtual Reality to elicit fear through critical traffic events. Adopting a mixed-methods design, the study integrated objective physiological measurements with subjective assessments. The objective data comprised facial infrared thermography, facial Action Units (AUs), and synchronized peripheral physiological signals. These objective metrics were valided with subjective data collected via the Self-Assessment Manikin (SAM) and the Positive and Negative Affect Schedule (PANAS). This comprehensive approach allowed for the cross-validation of appraisal-driven responses, establishing a robust, multidimensional framework for assessing driver emotions.&lt;/p&gt;
&lt;figure class="figure-container"&gt;
&lt;img src="Figure2.png"&gt;
&lt;figcaption class="figure-caption"&gt;
&lt;strong&gt;Figure 2. Overview of the multi-sensor experimental setup.&lt;/strong&gt;&lt;br&gt;
The diagram shows the integration of physiological, behavioral, and subjective measurement tools within the simulated driving environment (This image is generated by AI).
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure class="w-full my-6 flex flex-col items-center"&gt;
&lt;iframe src="AU.html"
class="w-full h-[520px] rounded-xl border border-gray-200 shadow-sm bg-white"
loading="lazy"
allowfullscreen&gt;
&lt;/iframe&gt;
&lt;figcaption class="figure-caption"&gt;
&lt;strong&gt;Figure 3.&lt;/strong&gt; Mapping of Facial Action Units (AUs) to basic emotion categories.
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;hr&gt;
&lt;h3 id="key-findings"&gt;Key Findings&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;The studies empirically validated the Component Process Model (CPM) as a robust framework for assessing driver emotions.&lt;/li&gt;
&lt;li&gt;Thermal Imaging as an indicator for &amp;ldquo;Power&amp;rdquo;
&lt;ul&gt;
&lt;li&gt;Fear (characterized by low power or low coping potential) was significantly associated with a decrease in nasal tip temperature (vasoconstriction), effectively distinguishing it from high-power emotions.&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;Distinct Facial Signatures for Appraisals
&lt;ul&gt;
&lt;li&gt;Novelty: Associated with upper face activation (AUs 1, 2, 4, 5, 7).&lt;/li&gt;
&lt;li&gt;Power: Associated with lower face activation (AUs 15, 20, 25, 26).&lt;/li&gt;
&lt;li&gt;Temporal Dynamics: Indicators of Novelty precede those of Power, reflecting the cognitive processing order from event detection to coping evaluation.&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;Multimodal Synchronization &amp;amp; Latency
&lt;ul&gt;
&lt;li&gt;A decrease in Novelty (habituation) significantly correlated with reductions in Pupil Diameter (PD), Skin Conductance Level (SCL), and AU intensity.&lt;/li&gt;
&lt;li&gt;Response Latency: Revealed distinct peak timings for different modalities, with Pupil Diameter peaking earliest (~3.2s), followed by Skin Conductance (~4.1s) and Facial Expressions (~4.3s), and finally Heart Rate (~5.0s).&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;/div&gt;</description></item><item><title>How Can Driver Emotions Be Quantified?</title><link>https://www.zhangmeng43.com/projects/ma/</link><pubDate>Tue, 12 Apr 2016 00:00:00 +0000</pubDate><guid>https://www.zhangmeng43.com/projects/ma/</guid><description>&lt;div class="text-base text-justify leading-relaxed max-w-prose mx-auto"&gt;
&lt;h3 id="how-can-emotions-be-quantified"&gt;How can emotions be quantified?&lt;/h3&gt;
&lt;p&gt;To describe facial expressions systematically, Paul Ekman and his colleagues developed the &lt;em&gt;Facial Action Coding System (FACS)&lt;/em&gt; &lt;sup id="fnref:1"&gt;&lt;a href="#fn:1" class="footnote-ref" role="doc-noteref"&gt;1&lt;/a&gt;&lt;/sup&gt;. This system groups visible facial muscle movements and certain head motions into identifiable units called &lt;em&gt;Action Units (AUs)&lt;/em&gt;. Each AU represents a specific facial muscle activity that can be observed and coded manually or by software.&lt;/p&gt;
&lt;p&gt;The table below shows a selection of AUs along with their descriptions and how accurately they were detected by facial recognition software I used in 2016.&lt;/p&gt;
&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;Action Unit&lt;/th&gt;
&lt;th&gt;Description&lt;/th&gt;
&lt;th&gt;Accuracy&lt;/th&gt;
&lt;th&gt;N&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;1&lt;/td&gt;
&lt;td&gt;Raise inner eyebrow&lt;/td&gt;
&lt;td&gt;89.7 %&lt;/td&gt;
&lt;td&gt;175&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;2&lt;/td&gt;
&lt;td&gt;Raise outer eyebrow&lt;/td&gt;
&lt;td&gt;88.9 %&lt;/td&gt;
&lt;td&gt;117&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;4&lt;/td&gt;
&lt;td&gt;Lower brows&lt;/td&gt;
&lt;td&gt;94.3 %&lt;/td&gt;
&lt;td&gt;194&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;5&lt;/td&gt;
&lt;td&gt;Raise upper eyelids&lt;/td&gt;
&lt;td&gt;95.1 %&lt;/td&gt;
&lt;td&gt;102&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;6&lt;/td&gt;
&lt;td&gt;Raise cheeks&lt;/td&gt;
&lt;td&gt;92.7 %&lt;/td&gt;
&lt;td&gt;123&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;7&lt;/td&gt;
&lt;td&gt;Tighten eyelids&lt;/td&gt;
&lt;td&gt;93.4 %&lt;/td&gt;
&lt;td&gt;121&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;9&lt;/td&gt;
&lt;td&gt;Wrinkle nose&lt;/td&gt;
&lt;td&gt;100 %&lt;/td&gt;
&lt;td&gt;75&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;10&lt;/td&gt;
&lt;td&gt;Raise upper lip&lt;/td&gt;
&lt;td&gt;90.5 %&lt;/td&gt;
&lt;td&gt;21&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;12&lt;/td&gt;
&lt;td&gt;Pull lip corners (smile)&lt;/td&gt;
&lt;td&gt;95.4 %&lt;/td&gt;
&lt;td&gt;131&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;14&lt;/td&gt;
&lt;td&gt;Dimpler&lt;/td&gt;
&lt;td&gt;67.6 %&lt;/td&gt;
&lt;td&gt;37&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;15&lt;/td&gt;
&lt;td&gt;Depress lip corners&lt;/td&gt;
&lt;td&gt;89.4 %&lt;/td&gt;
&lt;td&gt;94&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;17&lt;/td&gt;
&lt;td&gt;Raise chin&lt;/td&gt;
&lt;td&gt;86.6 %&lt;/td&gt;
&lt;td&gt;202&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;18&lt;/td&gt;
&lt;td&gt;Pucker lips&lt;/td&gt;
&lt;td&gt;88.9 %&lt;/td&gt;
&lt;td&gt;9&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;20&lt;/td&gt;
&lt;td&gt;Stretch lips&lt;/td&gt;
&lt;td&gt;92.4 %&lt;/td&gt;
&lt;td&gt;79&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;23&lt;/td&gt;
&lt;td&gt;Tighten lips&lt;/td&gt;
&lt;td&gt;63.3 %&lt;/td&gt;
&lt;td&gt;60&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;24&lt;/td&gt;
&lt;td&gt;Press lips together&lt;/td&gt;
&lt;td&gt;65.5 %&lt;/td&gt;
&lt;td&gt;58&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;25&lt;/td&gt;
&lt;td&gt;Open mouth&lt;/td&gt;
&lt;td&gt;76.9 %&lt;/td&gt;
&lt;td&gt;324&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;26&lt;/td&gt;
&lt;td&gt;Drop jaw&lt;/td&gt;
&lt;td&gt;48 %&lt;/td&gt;
&lt;td&gt;50&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;28&lt;/td&gt;
&lt;td&gt;Suck in lips&lt;/td&gt;
&lt;td&gt;100 %&lt;/td&gt;
&lt;td&gt;1&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;Although there are some individual differences, it is generally assumed that specific facial expressions are universally associated with certain emotions, across people and cultures. The diagram below illustrates how specific combinations of Action Units (AUs) form the prototypical expressions of basic emotions like fear, joy, sadness, and anger&lt;sup id="fnref:2"&gt;&lt;a href="#fn:2" class="footnote-ref" role="doc-noteref"&gt;2&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;iframe src="AU.html"
class="w-full h-[520px] my-6 rounded-xl border border-gray-200 shadow-sm"
loading="lazy" allowfullscreen&gt;&lt;/iframe&gt;
&lt;h3 id="how-can-we-read-a-drivers-face"&gt;How can we read a driver&amp;rsquo;s face?&lt;/h3&gt;
&lt;p&gt;The Facial Action Coding System (FACS) offers a systematic way to describe facial muscle movements, and that means we can leverage it to assess driver emotions. But here’s the question:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Which facial muscle movements are linked to frustration during driving?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;30 participants&lt;/strong&gt; were invited to take part in a simulated driving experiment. Each driver faced two contrasting traffic scenarios:&lt;/p&gt;
&lt;p&gt;🚗 &lt;strong&gt;Smooth traffic&lt;/strong&gt;&lt;br&gt;
🚗 &lt;strong&gt;Traffic jam&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;To enhance immersion, participants were rewarded for reaching their destination within a set time limit: making delays feel more frustrating and emotionally charged. The image below shows the driving simulator setup and one such frustrating moment, captured inside our virtual traffic jam:&lt;/p&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt="exp"
srcset="https://www.zhangmeng43.com/projects/ma/exp_hu_ef55e3da9e3a999e.webp 320w, https://www.zhangmeng43.com/projects/ma/exp_hu_2c02abbbffec6dbb.webp 480w, https://www.zhangmeng43.com/projects/ma/exp_hu_a4be9a7a5dd1f174.webp 760w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://www.zhangmeng43.com/projects/ma/exp_hu_ef55e3da9e3a999e.webp"
width="760"
height="309"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;
&lt;p&gt;Statistical results revealed that several facial muscle movements (Action Units, AUs) appeared &lt;strong&gt;significantly more often during traffic jam&lt;/strong&gt; than in smooth ones. These frustration-linked AUs include:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;AU2&lt;/strong&gt;: Raise outer eyebrows&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU5&lt;/strong&gt;: Raise upper eyelids&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU6&lt;/strong&gt;: Raise cheeks&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU9&lt;/strong&gt;: Wrinkle nose&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU10&lt;/strong&gt;: Raise upper lip&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU12&lt;/strong&gt;: Pull lip corners (smile)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU14&lt;/strong&gt;: Dimpler&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU15&lt;/strong&gt;: Depress lip corners&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU17&lt;/strong&gt;: Raise chin&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU18&lt;/strong&gt;: Pucker lips&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU23&lt;/strong&gt;: Tighten lips&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU28&lt;/strong&gt;: Suck in lips&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="what-is-a-frustrated-facial-expression"&gt;What is a frustrated facial expression?&lt;/h3&gt;
&lt;p&gt;While individual Action Units (AUs) are meaningful, facial expressions are usually combinations of multiple AUs. In fact, the AUs that appeared more frequently during traffic jams may not act alone. They likely combine to form &lt;strong&gt;complex expressions&lt;/strong&gt;. To uncover these hidden combinations, I conducted a &lt;strong&gt;clustering analysis&lt;/strong&gt; on the facial data observed during the jam condition. &lt;strong&gt;K-Means Clustering&lt;/strong&gt; was employed. The core idea is simple: group similar data points based on how close they are in space.&lt;/p&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;&lt;img alt="cluster"
src="https://www.zhangmeng43.com/projects/ma/cluster.gif"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;
&lt;p&gt;The K-Means process works in following steps:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Randomly choose initial cluster centers.&lt;/li&gt;
&lt;li&gt;Assign each observation to the nearest cluster center.&lt;/li&gt;
&lt;li&gt;Update the cluster centers based on the new groupings.&lt;/li&gt;
&lt;li&gt;This cycle repeats until stable clusters emerge.&lt;/li&gt;
&lt;/ol&gt;
&lt;iframe src="cluster.html"
class="w-full h-[520px] my-6 rounded-xl border border-gray-200 shadow-sm"
loading="lazy" allowfullscreen&gt;&lt;/iframe&gt;
&lt;p&gt;Facial expression data were grouped into &lt;strong&gt;five clusters&lt;/strong&gt; using K-Means clustering. Each cluster represents a common combination of Action Units (AUs), potentially reflecting a distinct emotional pattern. The &lt;strong&gt;radar chart&lt;/strong&gt; above shows the &lt;em&gt;average activation level&lt;/em&gt; (cluster centers) for each AU across the five clusters.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cluster 4&lt;/strong&gt; was the &lt;strong&gt;only one that appeared significantly more often&lt;/strong&gt; during traffic jams.&lt;/p&gt;
&lt;p&gt;Cluster 4 is mainly defined by the co-activation of:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;AU 9&lt;/strong&gt; – &lt;em&gt;Wrinkle nose&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU 18&lt;/strong&gt; – &lt;em&gt;Pucker lips&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AU 24&lt;/strong&gt; – &lt;em&gt;Press lips together&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This particular combination may represent the &lt;strong&gt;facial expression of frustration&lt;/strong&gt; in the driving context.&lt;/p&gt;
&lt;h3 id="what-does-a-frustrated-face-look-like"&gt;What does a &amp;ldquo;frustrated face&amp;rdquo; look like?&lt;/h3&gt;
&lt;p&gt;&lt;strong&gt;AU9 + AU18 + AU24 =
&lt;/strong&gt;&lt;/p&gt;
&lt;/div&gt;&lt;div class="footnotes" role="doc-endnotes"&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id="fn:1"&gt;
&lt;p&gt;Ekman, P. Friesen, W. V. &amp;amp; Hager, J. C. (2002). Manual for the facial action coding system. Salt Lake City: A Human Face.&amp;#160;&lt;a href="#fnref:1" class="footnote-backref" role="doc-backlink"&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:2"&gt;
&lt;p&gt;Ekman, P. &amp;amp; Friesen, W. V. (1978). Manual for the facial action coding system. Palo Alto: Consulting Psychologists Press.&amp;#160;&lt;a href="#fnref:2" class="footnote-backref" role="doc-backlink"&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;</description></item></channel></rss>